What makes a world author How did Homer become a cosmopolitan author How does a Mayan creation narrative challenge our Western logocentric ideas of foundational texts What might world literature look like to a fourthcentury Roman reader How do past and more recent translations of Dantes Commedia help us to rethink the changing definitions of world literature How did the Alexander romance adapt to an Islamic context How did Tassos epic adapt to a later cultural context dominated by the Turkish Fear What shaped the Wests first impression of The Tale of Genji How does the Ovidian myth of Arachne migrate from Japan to the Caribbean What are the foundational metaphors at the root of Goethes weltliteratur paradigm What happens when cultures import canonical texts for lack of their own By what process does an eccentric writer reconstruct a new foundational text from heterogeneous fragments of other cultures How did literary criticism contribute to the canonization of the Thousand and One Nights in Western literature What is left of the primacy of the national language when writers are published simultaneously in various translations How do modern misreadings shape our understanding of national epics and ensure their survival World literature first intuited in Goethes foundational idea of weltliteratur as literature that seeks to transcend national boundaries is viewed here in its essential mobility and migratory capacity which relies on the centrality of the reading act. This volume focuses on foundational texts as they are read across cultures languages and historical contexts. Its goal is to reflect on canonical texts from Homers Odyssey to Murakamis Genji from Cervantes to Mayan hieroglyphs from Dante to Coetzee from Goethe to Lezama Lima from the Thousand and One Nights to Jorge Luis Borges in a global perspective how they are translated appropriated transformed how they travel across different cultures and languages their foundational status evolving accordingly in